How the Reduced Shakespeare Company's rendition of Shakespeare plays Research Paper

How the Reduced Shakespeare Companys rendition of Shakespeare bends is a positive influence in the piece of theater - Research Paper ExampleThe success of the RSCs works can be gauged from the fact that three of their shows ran for nine straight years in the Criterion Theatre located in Piccadilly Circus. These shows have been recognised as Londons longest running comedies and have even superseded Andrew Lloyd Webers shows in the West End. (Reduced Shakespeare Company) The RSC has some typical methodologies for performing on stage and on adapting popular works. One technique is to abridge entire pieces of literature into governable pieces of operation on stage. This ensures that the audience is involved in the performance. Another technique is the use of comedy within these works through improvisation and planning to clear up these performances more entertaining for the audience. Improvisation is a major facet of the way that the RSC conducts its stage performances. The acts ar e known to be highly varied from one performance to the other, even with the same cast because of the improvisation involved. (Utah Shakespearen Festival) This introduces another favourable aspect of the RSCs performance style. The constant improvisation ensures that the performances presented are in sync with modern trends and styles. This ensures that the pieces of literature and theology presented by the RSC are relevant to audiences even today. In the words of Daniel Singer, the founder of the RSC, the work of the RSC helps modern audiences connect with classic literature. He contends that without such(prenominal) connections, classic literature and performances would turn into a ghettoistic culture. The drop off Works of William Shakespeare Evolution The RSCs most popular presence on stage, television and other forms of media has been The Complete Works of William Shakespeare. This popular piece evolved over a number of years from various experiences and experiments. The foun der of the RSC, Daniel Singer and a few other young performers were try to create a half an hour version of Shakespeares Hamlet for a performance at the Novato California Renaissance Pleasure Faire. The venue where the play was staged was hot, full of dust, noisy and full of distractions. It was next to impossible to keep the audiences attention. The performance venue was frequented by drunken hecklers, intrusive parades and backstage confusion in the words of David Singer. Consequently, the cast was forced to improvise extensively. This improvisation improved by a large degree as the performances proceeded. (Singer) Consequently, Daniel Singer along with Adam Long and Jess Winfield began to enact various pieces of literature in rather hilarious ways. The performances were well adapted in terms of time so that the audience did not drift away. The subject material of the piece of literature was delivered using contemporary trends in the performing arts. New trends such as the use o f matinee programming, pelvic arch hop etc. were also introduced with time to keep the audience engrossed in the performance. Various works from Shakespeare were adapted including Romeo and Juliet, Othello, Hamlet, Merchant of Venice, the line of dramas about Englands kings and the like. Eventually, the troupe decided to merge all of these acts into one performance. This laid the foundation for what became The Complete Works of William Shakespeare. Eventually the entire lineage of Shakespeares work was practice together and the performance was fine tuned to last a total of